Fun bluegrass session at the Plough last night... I had the first tune and final tune ("Spotted Pony"), just played for a few hours. The volume got high in the middle -- some fraternity boys had a going-away party? -- but I got a seat against the wall and didn't have another instrument pointing into my ear, and so could hear what I was doing, even though I couldn't catch vocals from the other side of the circle.
Tunes included "Deep River Blues" (but I spaced on the lyrics!), "Red Wing" and something else. After re-listening to early Bill Monroe this week I was comfortable sticking with a slower tempo... such sessions often tend to have all tunes migrate into the same beat. I had a few complete finger-flubs, but fewer than before, and had the chance to do some work on that staccato style, a combination of Earl Scruggs, Tom Brumley and Paulino Bernal. I need to work over a few such songs so I have stuff for the NCBS picnic this Sunday.
I've been listening to some 1952 Turk Murphy, where he has a completely different phrasing on "Ace in the Hole"... more up-tempo, and doesn't sing the second verse. Starting to get the words to "Cakewalking Babies From Home"... gradually moving to where I can play these tunes at a slower tempo, with more melodic lines, and inevitable rhythm.
Tunes included "Deep River Blues" (but I spaced on the lyrics!), "Red Wing" and something else. After re-listening to early Bill Monroe this week I was comfortable sticking with a slower tempo... such sessions often tend to have all tunes migrate into the same beat. I had a few complete finger-flubs, but fewer than before, and had the chance to do some work on that staccato style, a combination of Earl Scruggs, Tom Brumley and Paulino Bernal. I need to work over a few such songs so I have stuff for the NCBS picnic this Sunday.
I've been listening to some 1952 Turk Murphy, where he has a completely different phrasing on "Ace in the Hole"... more up-tempo, and doesn't sing the second verse. Starting to get the words to "Cakewalking Babies From Home"... gradually moving to where I can play these tunes at a slower tempo, with more melodic lines, and inevitable rhythm.